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This publication is produced as a catalogue of the group exhibition of the same title held at Para Site from May 16 to Nov 15, 2020.
One of the starting points of the exhibition is the image- and object-making lineages that transversed or unfolded in parallel to the fractures of the modern. Named after a garden in Kathmandu built by a dynastic prime minister in Nepal 100 years ago, ‘Garden of Six Seasons’ discusses appropriate frameworks of understanding and bringing together these multiple aesthetic and cosmological lineages active today, from paubha painting in Nepal to ink in East Asia and barkcloth in the Pacific, as well as to other languages marginalised by a Eurocentric canon. The exhibition was the precursor to the Kathmandu Triennale 2020.
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